“Guilt drives me. I know I have to write every day. During the story period, it’s so much harder, it’s much more fluid… When I start to write, I give myself a goal of five pages a day. I don’t stop until I get that done, whether it’s taken me two hours or twelve. Sometimes if I get rolling I can write more, I can write ten pages… It makes you push. Because otherwise, you’d come to the tough part two pages in and you’d go, I’m gonna give up. You have to push through. Because with every scene you come to, you know that the last scene was easy to write, but this scene is impossible. And you get through that, and you see the next scene, and you say, that last one was easy to write, but this one’s impossible. Every single scene is usually like that. Always, impossible. And then the characters start talking to you.”
(via Go Into The Story)
Television is all about character. Films are typically more about story. For a TV show to work, you have to have a reason to come back every week.
The quote above is from Canadian writer/director, Martin Gero, who was interviewed in this article on the Globe and Mail (along with two other Canadian writers). I thought it was a great read for those interested in tv comedy writing. Here are some quotes from the article that I’ll be taking with me as I write for my upcoming projects:
“My rule for running the writers’ room on How I Met Your Mother is simple. It’s all about character. And the thematic discussions that come from the essence of that character. Is it time for Barney to have a real relationship? Is Ted due for a career change? After three or four days of spinning ideas, a writer goes away with a fairly detailed outline. Each episode takes roughly three weeks.” — Chuck Tatham
“The trick to coming up with stories is to steal from your life and other people’s lives. One episode of The Simpsons was about a school closing due to a blizzard. The kids were so excited, but woke up the next morning to no snow. Off they went to school, only to get trapped there when the blizzard finally hit. That happened to me in Exeter. Only we didn’t put the principal in a volleyball sack.” — Tim Long
“My advice to those getting into TV comedy is, first, order two lunches. Because when 4 o’clock arrives, and you’re famished, you’re a staggering, 230-pound mess. Second, always make sure your characters need each other. If you do that, you can have the craziest, most disparate characters together, and it works.” — Chuck Tatham
“We live in this society where you must constantly be reinventing yourself. The big question is what are you doing next. The only thing they want is composed of these three elements: They want you to do it the exact same way because they want more of it; but they want it to be totally different; and they want it to be better. (Laughs) And that’s it. That’s all you have to do. You just have to do something that’s exactly the same, totally different, and better. So how hard is that?
If that becomes what’s expected of you, at some point you have to decide to excuse yourself from that expectation and say, “Well, I’m not sure I can do all that.” But what I can continue to do is to continue to follow my curiosity and my path and create work that I think is reflective of what I’m really interested in and just share it with you, and you can take it as you like it.”
- Elizabeth Gilbert
“It’s natural to seek reassurance. Most of us want to believe that the choices we make will work out, that everything will be okay.
Artists and those that launch the untested, the new and the emotional…wrestle with this need all the time. How can we proceed knowing that there’s a good chance that our actions will fail, that things might get worse, that everything won’t end up okay? In search of solace, we seek reassurance.
So people lie to us. So we lie to ourselves.
No, everything is not going to be okay. It never is. It isn’t okay now. Change, by definition, changes things. It makes some things better and some things worse. But everything is never okay.
Finding the bravery to shun faux reassurance is a critical step in producing important change. Once you free yourself from the need for perfect acceptance, it’s a lot easier to launch work that matters”
- Seth Godin
“Never give up on something that you can’t go a day without thinking about.”
- Unknown
